Three Billboards Outside Miami, Florida: how America turned into Mildred Hayes

Three Billboards Outside Miami, Florida: how America turned into Mildred Hayes

In Martin McDonagh’s hugely successful film, Three Billboards Outside Ebbing, Missouri, a grieving mother, frustrated by police inaction in solving her daughter’s murder, erects three signs goading the local police chief to do something. Mildred Hayes (Frances McDormand) is numb with grief. Her face is set like stone. Her manner is flinty and gruff. She’s survived a violent marriage, the violent death of a child, and now she’s surviving a sluggish police investigation. She won’t take any more garbage from anyone. The focus of her billboard rage, Chief Willoughby (Woody Harrelson) is a more sympathetic character than you first expect. After the signs go up and start causing a stir around the fictional town of Ebbing, Willoughby calls on Mildred and tries to explain the reason Angela’s murder and rape hasn’t been solved. There’s no evidence. There’s no witnesses, no DNA matches, no suspects, no leads. “Right now there ain’t too much more we could do,” he laments. Three Billboards Outside Ebbing, Missouri is all about unfocused grief. Mildred has no one to blame for her daughter’s death and therefore nowhere to focus her grief and her anger. So she’s angry at everyone. The billboards are the only tangible outlet for that anger. In one touching scene, Mildred squats by the billboards and starts platting flowers, as if those the

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